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The GAIA 4 soprano mouthpiece has a major upgrade!
The GAIA soprano series has been VERY popular, providing modern projection, along with the vintage large chamber sound. The GAIA 4 updates this concept MUCH farther, with a completely new Large-Stadium Chamber™ and updated Shark Gill Baffle™ design. It now has significantly more presence, similar to mouthpieces such as the Selmer Soloist, but with the full bodies beauty the GAIA has become famous for. This is a major upgrade!
With the addition of the AMBIKA soprano mouthpiece, which truly captures the warm large chamber soprano sound, the GAIA 4 moves further into the full bodied core sound, which we hope you love as much as we do.
We designed the DURGA 4 soprano to be the fullest sounding soprano mouthpiece ever made, and now it surpasses even the DURGA 3.
“My favorite soprano mouthpiece EVER! It does everything well and has none of the drawbacks of other metal mouthpieces. Just amazing!” – Koh Mr. Saxman (Thailand’s Premier Saxophonist)
The DURGA 4 Soprano Mouthpiece has a newly designed step baffle, and throat. There are a lot of secrets in this design that are very subtle, but yet have an incredible impact on the sound . The Inverted-Power-Ring™ has the fullness of a True-Large-Chamber but tons of core too!!!! Don’t let the high baffle fool you, it does not sound thin or nasal….just full and BIG like you’ve never heard a soprano mouthpiece sound before! Suitable for both powerful music and ballads both!
The DURGA 4 is a unique work of art, that will take your soprano places you may not even know existed.
The AMBIKA 3 Tenor Mouthpiece is the darkest Theo Wanne mouthpiece. It has a deep, hauntingly gorgeous tone that only poetry can describe.
The Shark Gill Baffle™ works on the physics principle of ‘boundary layer effect’ pulling the airstream closer to the floor. This allows one to ‘fill’ the mouthpiece more, resulting in increased dynamics. The True Large Chamber is far more accurately produced than any other vintage and new mouthpieces due to our superior machining, which means the design is EXACTLY what Theo intended it to be, not just an approximation.
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